smarten up

great for looks, however if you come out that’s most of your fingers broken

tinyhousedesign:

New Post has been published on http://www.tinyhouseliving.com/off-grid-tennessee-micro-cabin/

Off-Grid Tennessee Micro Cabin

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This beautiful off-grid micro cabin in Tennessee is a contemporary update to the traditional lakeside retreat. The Cape Russell Retreat is a modestly-sized cabin that packs high design into a small residence that is completely independent of the water and electrical grids.” – Inhabitat

Read and see more of this Off-Grid Tennessee Micro Cabin that Packs in High Design on Inhabitat. Design and photos by Sander Pace Architecture.

Cape-Russell-Retreat-2 Cape-Russell-Retreat-1

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A well designed and thought out space

worclip:

Four Eyes House (2010-2012) by Edward Ogosta Architecture
Photographed by Iwan Baan
Location: Coachella Valley, CA, USA

A weekend desert residence for a family and their dog, the Four Eyes House is an exercise in site-specific experiential programming. Rather than planning the house according to a domestic functional program, the building was designed foremost as an instrument for intensifying a number of onsite phenomenal events.
Four “sleeping towers” are oriented towards four spatiotemporal viewing experiences: morning sunrise to the east, mountain range to the south, evening city lights to the west, and nighttime stars overhead. Each tower contains a compact top-floor bedroom, sized only for the bed, and each with a unique aperture directed towards the view. These bedrooms are equally-sized and unassigned, such that the family’s sleeping locations can be rotated based on each individual’s desired viewing experience. Vertical circulation within the towers is similarly particularized (e.g. ladders, spiral stair, switchback stair, or shallow-riser stair). Ground-floor common spaces form a loose connective field between the discrete tower volumes, and offer a more permeable relationship to the landscape.
The sensations of sleeping and waking are thus inflected by the building’s foregrounding of intensified onsite experiential events. By sleeping in a room elevated off the ground and open to the stars, one might inhabit a deep pocket of silence for a few moments, and perhaps even perceive the movement of the Earth, as it slowly rotates beneath the stars.

worclip:

Four Eyes House (2010-2012) by Edward Ogosta Architecture
Photographed by Iwan Baan
Location: Coachella Valley, CA, USA

A weekend desert residence for a family and their dog, the Four Eyes House is an exercise in site-specific experiential programming. Rather than planning the house according to a domestic functional program, the building was designed foremost as an instrument for intensifying a number of onsite phenomenal events.
Four “sleeping towers” are oriented towards four spatiotemporal viewing experiences: morning sunrise to the east, mountain range to the south, evening city lights to the west, and nighttime stars overhead. Each tower contains a compact top-floor bedroom, sized only for the bed, and each with a unique aperture directed towards the view. These bedrooms are equally-sized and unassigned, such that the family’s sleeping locations can be rotated based on each individual’s desired viewing experience. Vertical circulation within the towers is similarly particularized (e.g. ladders, spiral stair, switchback stair, or shallow-riser stair). Ground-floor common spaces form a loose connective field between the discrete tower volumes, and offer a more permeable relationship to the landscape.
The sensations of sleeping and waking are thus inflected by the building’s foregrounding of intensified onsite experiential events. By sleeping in a room elevated off the ground and open to the stars, one might inhabit a deep pocket of silence for a few moments, and perhaps even perceive the movement of the Earth, as it slowly rotates beneath the stars.

worclip:

Four Eyes House (2010-2012) by Edward Ogosta Architecture
Photographed by Iwan Baan
Location: Coachella Valley, CA, USA

A weekend desert residence for a family and their dog, the Four Eyes House is an exercise in site-specific experiential programming. Rather than planning the house according to a domestic functional program, the building was designed foremost as an instrument for intensifying a number of onsite phenomenal events.
Four “sleeping towers” are oriented towards four spatiotemporal viewing experiences: morning sunrise to the east, mountain range to the south, evening city lights to the west, and nighttime stars overhead. Each tower contains a compact top-floor bedroom, sized only for the bed, and each with a unique aperture directed towards the view. These bedrooms are equally-sized and unassigned, such that the family’s sleeping locations can be rotated based on each individual’s desired viewing experience. Vertical circulation within the towers is similarly particularized (e.g. ladders, spiral stair, switchback stair, or shallow-riser stair). Ground-floor common spaces form a loose connective field between the discrete tower volumes, and offer a more permeable relationship to the landscape.
The sensations of sleeping and waking are thus inflected by the building’s foregrounding of intensified onsite experiential events. By sleeping in a room elevated off the ground and open to the stars, one might inhabit a deep pocket of silence for a few moments, and perhaps even perceive the movement of the Earth, as it slowly rotates beneath the stars.

worclip:

Four Eyes House (2010-2012) by Edward Ogosta Architecture
Photographed by Iwan Baan
Location: Coachella Valley, CA, USA

A weekend desert residence for a family and their dog, the Four Eyes House is an exercise in site-specific experiential programming. Rather than planning the house according to a domestic functional program, the building was designed foremost as an instrument for intensifying a number of onsite phenomenal events.
Four “sleeping towers” are oriented towards four spatiotemporal viewing experiences: morning sunrise to the east, mountain range to the south, evening city lights to the west, and nighttime stars overhead. Each tower contains a compact top-floor bedroom, sized only for the bed, and each with a unique aperture directed towards the view. These bedrooms are equally-sized and unassigned, such that the family’s sleeping locations can be rotated based on each individual’s desired viewing experience. Vertical circulation within the towers is similarly particularized (e.g. ladders, spiral stair, switchback stair, or shallow-riser stair). Ground-floor common spaces form a loose connective field between the discrete tower volumes, and offer a more permeable relationship to the landscape.
The sensations of sleeping and waking are thus inflected by the building’s foregrounding of intensified onsite experiential events. By sleeping in a room elevated off the ground and open to the stars, one might inhabit a deep pocket of silence for a few moments, and perhaps even perceive the movement of the Earth, as it slowly rotates beneath the stars.

worclip:

Four Eyes House (2010-2012) by Edward Ogosta Architecture
Photographed by Iwan Baan
Location: Coachella Valley, CA, USA

A weekend desert residence for a family and their dog, the Four Eyes House is an exercise in site-specific experiential programming. Rather than planning the house according to a domestic functional program, the building was designed foremost as an instrument for intensifying a number of onsite phenomenal events.
Four “sleeping towers” are oriented towards four spatiotemporal viewing experiences: morning sunrise to the east, mountain range to the south, evening city lights to the west, and nighttime stars overhead. Each tower contains a compact top-floor bedroom, sized only for the bed, and each with a unique aperture directed towards the view. These bedrooms are equally-sized and unassigned, such that the family’s sleeping locations can be rotated based on each individual’s desired viewing experience. Vertical circulation within the towers is similarly particularized (e.g. ladders, spiral stair, switchback stair, or shallow-riser stair). Ground-floor common spaces form a loose connective field between the discrete tower volumes, and offer a more permeable relationship to the landscape.
The sensations of sleeping and waking are thus inflected by the building’s foregrounding of intensified onsite experiential events. By sleeping in a room elevated off the ground and open to the stars, one might inhabit a deep pocket of silence for a few moments, and perhaps even perceive the movement of the Earth, as it slowly rotates beneath the stars.

worclip:

Four Eyes House (2010-2012) by Edward Ogosta Architecture
Photographed by Iwan Baan
Location: Coachella Valley, CA, USA

A weekend desert residence for a family and their dog, the Four Eyes House is an exercise in site-specific experiential programming. Rather than planning the house according to a domestic functional program, the building was designed foremost as an instrument for intensifying a number of onsite phenomenal events.
Four “sleeping towers” are oriented towards four spatiotemporal viewing experiences: morning sunrise to the east, mountain range to the south, evening city lights to the west, and nighttime stars overhead. Each tower contains a compact top-floor bedroom, sized only for the bed, and each with a unique aperture directed towards the view. These bedrooms are equally-sized and unassigned, such that the family’s sleeping locations can be rotated based on each individual’s desired viewing experience. Vertical circulation within the towers is similarly particularized (e.g. ladders, spiral stair, switchback stair, or shallow-riser stair). Ground-floor common spaces form a loose connective field between the discrete tower volumes, and offer a more permeable relationship to the landscape.
The sensations of sleeping and waking are thus inflected by the building’s foregrounding of intensified onsite experiential events. By sleeping in a room elevated off the ground and open to the stars, one might inhabit a deep pocket of silence for a few moments, and perhaps even perceive the movement of the Earth, as it slowly rotates beneath the stars.

worclip:

Four Eyes House (2010-2012) by Edward Ogosta Architecture
Photographed by Iwan Baan
Location: Coachella Valley, CA, USA

A weekend desert residence for a family and their dog, the Four Eyes House is an exercise in site-specific experiential programming. Rather than planning the house according to a domestic functional program, the building was designed foremost as an instrument for intensifying a number of onsite phenomenal events.
Four “sleeping towers” are oriented towards four spatiotemporal viewing experiences: morning sunrise to the east, mountain range to the south, evening city lights to the west, and nighttime stars overhead. Each tower contains a compact top-floor bedroom, sized only for the bed, and each with a unique aperture directed towards the view. These bedrooms are equally-sized and unassigned, such that the family’s sleeping locations can be rotated based on each individual’s desired viewing experience. Vertical circulation within the towers is similarly particularized (e.g. ladders, spiral stair, switchback stair, or shallow-riser stair). Ground-floor common spaces form a loose connective field between the discrete tower volumes, and offer a more permeable relationship to the landscape.
The sensations of sleeping and waking are thus inflected by the building’s foregrounding of intensified onsite experiential events. By sleeping in a room elevated off the ground and open to the stars, one might inhabit a deep pocket of silence for a few moments, and perhaps even perceive the movement of the Earth, as it slowly rotates beneath the stars.

worclip:

Four Eyes House (2010-2012) by Edward Ogosta Architecture
Photographed by Iwan Baan
Location: Coachella Valley, CA, USA

A weekend desert residence for a family and their dog, the Four Eyes House is an exercise in site-specific experiential programming. Rather than planning the house according to a domestic functional program, the building was designed foremost as an instrument for intensifying a number of onsite phenomenal events.
Four “sleeping towers” are oriented towards four spatiotemporal viewing experiences: morning sunrise to the east, mountain range to the south, evening city lights to the west, and nighttime stars overhead. Each tower contains a compact top-floor bedroom, sized only for the bed, and each with a unique aperture directed towards the view. These bedrooms are equally-sized and unassigned, such that the family’s sleeping locations can be rotated based on each individual’s desired viewing experience. Vertical circulation within the towers is similarly particularized (e.g. ladders, spiral stair, switchback stair, or shallow-riser stair). Ground-floor common spaces form a loose connective field between the discrete tower volumes, and offer a more permeable relationship to the landscape.
The sensations of sleeping and waking are thus inflected by the building’s foregrounding of intensified onsite experiential events. By sleeping in a room elevated off the ground and open to the stars, one might inhabit a deep pocket of silence for a few moments, and perhaps even perceive the movement of the Earth, as it slowly rotates beneath the stars.

worclip:

Four Eyes House (2010-2012) by Edward Ogosta Architecture
Photographed by Iwan Baan
Location: Coachella Valley, CA, USA

A weekend desert residence for a family and their dog, the Four Eyes House is an exercise in site-specific experiential programming. Rather than planning the house according to a domestic functional program, the building was designed foremost as an instrument for intensifying a number of onsite phenomenal events.
Four “sleeping towers” are oriented towards four spatiotemporal viewing experiences: morning sunrise to the east, mountain range to the south, evening city lights to the west, and nighttime stars overhead. Each tower contains a compact top-floor bedroom, sized only for the bed, and each with a unique aperture directed towards the view. These bedrooms are equally-sized and unassigned, such that the family’s sleeping locations can be rotated based on each individual’s desired viewing experience. Vertical circulation within the towers is similarly particularized (e.g. ladders, spiral stair, switchback stair, or shallow-riser stair). Ground-floor common spaces form a loose connective field between the discrete tower volumes, and offer a more permeable relationship to the landscape.
The sensations of sleeping and waking are thus inflected by the building’s foregrounding of intensified onsite experiential events. By sleeping in a room elevated off the ground and open to the stars, one might inhabit a deep pocket of silence for a few moments, and perhaps even perceive the movement of the Earth, as it slowly rotates beneath the stars.

worclip:

Four Eyes House (2010-2012) by Edward Ogosta Architecture
Photographed by Iwan Baan
Location: Coachella Valley, CA, USA

A weekend desert residence for a family and their dog, the Four Eyes House is an exercise in site-specific experiential programming. Rather than planning the house according to a domestic functional program, the building was designed foremost as an instrument for intensifying a number of onsite phenomenal events.
Four “sleeping towers” are oriented towards four spatiotemporal viewing experiences: morning sunrise to the east, mountain range to the south, evening city lights to the west, and nighttime stars overhead. Each tower contains a compact top-floor bedroom, sized only for the bed, and each with a unique aperture directed towards the view. These bedrooms are equally-sized and unassigned, such that the family’s sleeping locations can be rotated based on each individual’s desired viewing experience. Vertical circulation within the towers is similarly particularized (e.g. ladders, spiral stair, switchback stair, or shallow-riser stair). Ground-floor common spaces form a loose connective field between the discrete tower volumes, and offer a more permeable relationship to the landscape.
The sensations of sleeping and waking are thus inflected by the building’s foregrounding of intensified onsite experiential events. By sleeping in a room elevated off the ground and open to the stars, one might inhabit a deep pocket of silence for a few moments, and perhaps even perceive the movement of the Earth, as it slowly rotates beneath the stars.

worclip:

Four Eyes House (2010-2012) by Edward Ogosta Architecture

Photographed by Iwan Baan

Location: Coachella Valley, CA, USA

A weekend desert residence for a family and their dog, the Four Eyes House is an exercise in site-specific experiential programming. Rather than planning the house according to a domestic functional program, the building was designed foremost as an instrument for intensifying a number of onsite phenomenal events.

Four “sleeping towers” are oriented towards four spatiotemporal viewing experiences: morning sunrise to the east, mountain range to the south, evening city lights to the west, and nighttime stars overhead. Each tower contains a compact top-floor bedroom, sized only for the bed, and each with a unique aperture directed towards the view. These bedrooms are equally-sized and unassigned, such that the family’s sleeping locations can be rotated based on each individual’s desired viewing experience. Vertical circulation within the towers is similarly particularized (e.g. ladders, spiral stair, switchback stair, or shallow-riser stair). Ground-floor common spaces form a loose connective field between the discrete tower volumes, and offer a more permeable relationship to the landscape.

The sensations of sleeping and waking are thus inflected by the building’s foregrounding of intensified onsite experiential events. By sleeping in a room elevated off the ground and open to the stars, one might inhabit a deep pocket of silence for a few moments, and perhaps even perceive the movement of the Earth, as it slowly rotates beneath the stars.

(via heldenkerl)

nevver:

Science!
escapekit:

Postcards for Ants
An ongoing painting project by Cape Town artist Lorraine Loots who has been creating a miniature painting every single day since January 1, 2013.
escapekit:

Postcards for Ants
An ongoing painting project by Cape Town artist Lorraine Loots who has been creating a miniature painting every single day since January 1, 2013.
escapekit:

Postcards for Ants
An ongoing painting project by Cape Town artist Lorraine Loots who has been creating a miniature painting every single day since January 1, 2013.
escapekit:

Postcards for Ants
An ongoing painting project by Cape Town artist Lorraine Loots who has been creating a miniature painting every single day since January 1, 2013.
escapekit:

Postcards for Ants
An ongoing painting project by Cape Town artist Lorraine Loots who has been creating a miniature painting every single day since January 1, 2013.
escapekit:

Postcards for Ants
An ongoing painting project by Cape Town artist Lorraine Loots who has been creating a miniature painting every single day since January 1, 2013.
escapekit:

Postcards for Ants
An ongoing painting project by Cape Town artist Lorraine Loots who has been creating a miniature painting every single day since January 1, 2013.
escapekit:

Postcards for Ants
An ongoing painting project by Cape Town artist Lorraine Loots who has been creating a miniature painting every single day since January 1, 2013.

escapekit:

Postcards for Ants

An ongoing painting project by Cape Town artist Lorraine Loots who has been creating a miniature painting every single day since January 1, 2013.

fromquarkstoquasars:

Autumn is upon us, one of the things everyone likes about this season is the leaves changing colors, but why does this happen? Because, science http://bit.ly/Xg61eL

(via laboratoryequipment)

theenergyissue:

Everyday Energy: What People Around the World Eat on a Daily Basis

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37-year-old Ecuadorian mountain farmer, 5’3”, 119 lbs, typical daily caloric intake: 3,800 kcal. Food staples: Empanadas, barley flour soup, roasted potatoes, plantain, hard brown sugar mixed with hot water.

image

45-year-old…

This is what the earth needs, a city to look up to for wildlife preservation, reduced energy consumption by half and the dependance on vehicles that run on fossil fuels!

This is what the earth needs, a city to look up to for wildlife preservation, reduced energy consumption by half and the dependance on vehicles that run on fossil fuels!

nothingtochance:

ENDLESS STRAIGHT / ROLL & HILL
nothingtochance:

ENDLESS STRAIGHT / ROLL & HILL